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The Rat Trap
From November 1 through December 10, 2022, at New York City Center Stage II, Mint presented the American Premiere of The Rat Trap by Noel Coward, written when he was 18. The New Yorker hailed the play as “astounding”:
Noël Coward (1899-1973) captivated audiences on both sides of the Atlantic over the course of five decades, as a playwright, actor, singer, and songwriter. Coward success as a playwright includes more than 50 plays, including Hay Fever, Private Lives, Design for Living, Present Laughter, and Blithe Spirit, all of which are still regularly performed to this day.
The Mountains Look Different
The Mountains Look Different is the story of Bairbre’s return home to Ireland, after a dozen hard years in London working the streets. Three days ago, she married Tom, who knows nothing of her past. Together they hope to settle with Tom’s father on his farm, and live a simple life far from the temptations and torments of the sinful city. But soon they will learn that it’s not easy for anyone to escape their past, even among the rocks and ruins of the mountainside.
Micheál mac Liammóir was a legendary figure, his death in 1978 was front-page news in the Irish Times for three days running. His obituary described him as “the dominant figure in the Irish theatrical world for almost half a century” . “Hundreds Mourn MacLiammóir” was the headline describing the scene in the church the day of his funeral. Ireland’s President Dr. Hillery, “joined actors, artists, writers, Irish language enthusiasts and hundreds of people who had simply enjoyed his performances in mourning.”
The Suitcase Under the Bed
The Suitcase Under the Bed, so named for the place where all of Teresa Deevy’s writing was stored for decades, prior to the launch of Mint Theater Company’s “Deevy Project”, featured four short plays, three of which were World Premieres. Deevy, thanks in part to the Mint, is now recognized as “One of Ireland’s best and most neglected dramatists.” (Irish Times)
STRANGE BIRTH (World Premiere)
Sara Meade works at a small rooming house where she observes with determined detachment the heartache of each resident; a caution against falling in love herself. Suddenly the day’s post brings a letter that challenges her resolve.
TERESA DEEVY
(1894-1963)
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