Rutherford & Son

In 1912, a new play by an unknown author took London by storm.  Originally scheduled for only four performances at London’s Royal Court Theatre, RUTHERFORD AND SON by Githa Sowerby quickly transferred to the West End, receiving its New York premiere within the same year.

A Farewell to The Theater & The Flattering Word

Having struck theatrical gold with THE VOYSEY INHERITANCE in 1999, Mint Theater revisited Harley Granville-Barker with a world premiere of his 1916 one-act comedy, A FAREWELL TO THE THEATRE. “Although it’s taken 84 years to mount this subtle work, the Mint has made it worth the wait” wrote Jason Zinoman in Time Out New York. Critics and audiences were enchanted by the play, which, as per Zinoman’s elegant summation, tells “an intimate and emotionally nuanced story about the unrequited love between a fading grande dame and her sad-eyed lawyer.”¹

It would be hard to exaggerate the seminal role played by the actor, director, playwright and polemicist Harley Granville-Barker (1877-1946) in the development of 20th-century British theatre.

RECORDED LIVE: Hindle Wakes

You might think streaming is free because we don’t have any expenses. Not True! Actors, designers and directors are all paid salaries, not to mention the cost of making the recordings.

“Of all the countless Off-Broadway troupes, none has a more distinctive mission – or a higher artistic batting average – than the Mint Theater Company: I’ve never seen a production there that was a sliver less than superb.” Terry Teachout, The Wall Street Journal

An industrious playwright from Manchester, Stanley Houghton (1881-1913) “startled England with the brilliant originality of his comedies of Lancashire life” (The New York Times). Blending truthfully observed realism with shrewd comic grit and “supremely sophisticated dexterities” (The Manchester Guardian), Houghton wrote over a dozen plays, many of which called for women’s sexual and economic freedom.

Sumpn Like Wings

“I’ll kick yer ole door down!
Lemme out! Lemme out!”

Rollie Lynn Riggs (August 31, 1899 – June 30, 1954) An enrolled Cherokee of mixed descent, Lynn Riggs wrote about the people, places, and events of his childhood, growing up in Oklahoma in the eventful years at the turn of the century.

Partnership

PARTNERSHIP is a refreshing take on the importance of work-life balance and a celebration of the eye-opening power of love. 

Elizabeth Baker

Becomes A Woman

Betty Smith burst onto the literary scene in 1943 with her debut novel, A TREE GROWS IN BROOKLYN. The New York Times called it “the best first novel I have seen in many a moon…here is a book worth getting excited about and an author worth cheering.”

Betty Smith’s A Tree Grows in Brooklyn endures through generations as one of the biggest bestsellers of the twentieth century. Yet, while Smith found her greatest fame as a novelist, she was most passionate about her work as the playwright of over 70 one-act and full-length dramas, commenting in 1937: “I write plays because I’d rather do that than anything else in the world.” Smith’s plays share with her novels a focus upon working-class women persevering through poverty to craft their own narratives of self-determination, often fueled by their engagement with reading and books.

The Rat Trap

From November 1 through December 10, 2022, at New York City Center Stage II, Mint presented the American Premiere of The Rat Trap by Noel Coward, written when he was 18. The New Yorker hailed the play as “astounding”:

Noël Coward (1899-1973) captivated audiences on both sides of the Atlantic over the course of five decades, as a playwright, actor, singer, and songwriter. Coward success as a playwright includes more than 50 plays, including Hay Fever, Private Lives, Design for Living, Present Laughter, and Blithe Spirit, all of which are still regularly performed to this day.

Chains

Mint Theater Company presents "Chains" by Elizabeth Baker, directed by Jenn Thompson.

Chekhov/Tolstoy: Love Stories

Mint Theater Company presents a program of short plays adapted from stories by two of the world’s greatest authors, Anton Chekhov and Leo Tolstoy. These dramatic adaptations are from one of our favorite playwrights, Miles Malleson, author of Mint productions, Conflict and Yours Unfaithfully, both New York Times Critic’s Picks.

As a playwright, screenwriter, director, producer, and character actor, Miles Malleson  (1888-1969) established himself as a theatre artist of dazzling versatility. Yet while Malleson “acted the fool most memorably” in dozens of plays and films, he was also a playwright of provocative wit, searching insight and, as described by The Manchester Guardian, a sense of “ethical passion” drawing upon a lifelong engagement in progressive politics.

The Mountains Look Different

The Mountains Look Different is the story of Bairbre’s return home to Ireland, after a dozen hard years in London working the streets. Three days ago, she married Tom, who knows nothing of her past. Together they hope to settle with Tom’s father on his farm, and live a simple life far from the temptations and torments of the sinful city. But soon they will learn that it’s not easy for anyone to escape their past, even among the rocks and ruins of the mountainside.

Micheál mac Liammóir was a legendary figure, his death in 1978 was front-page news in the Irish Times for three days running. His obituary described him as “the dominant figure in the Irish theatrical world for almost half a century” . “Hundreds Mourn MacLiammóir” was the headline describing the scene in the church the day of his funeral. Ireland’s President Dr. Hillery, “joined actors, artists, writers, Irish language enthusiasts and hundreds of people who had simply enjoyed his performances in mourning.”

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