You searched for Douglas Rees. Here's what we found:
Set aboard a houseboat on a fashionable reach of the Thames in 1911, The New Morality tells the story of how the brazen Betty Jones restores dignity to her household and harmony to her marriage, by losing her temper and making a scene.
A writer of “wit, gaiety and skillful craftsmanship,” the Brooklyn-born British playwright Harold Chapin (1886-1915) wrote ten one-act plays and four complete, full-length works before falling as a WWI soldier at the age of twenty-nine. With Chapin’s tragic early death, the British and American theater lost an already assured comic talent. Revolving around the whims and wits of candid female characters, Chapin’s philosophical comedies of manners brim with “imagination and sympathy,” sparkling dialogue, and a sense of humor at once sharp-edged and fanciful.
In DONOGOO by Jules Romains, ambition and imagination collude to create fact out of fraud. The play tells the story of Lamendin, a desperate man, and Le Trouhadec, a professor of geography who longs for election to the Academy of Sciences. Together they unwittingly set in motion a stock market swindle of global proportions. Investors, pioneers and prospectors alike are driven to seek their fortune in Donogoo—a place that doesn’t exist.
Romains was born Louis-Henri-Jean Farigoule on August 26, 1885 in the village of Saint-Julien Chapteuil. He spent most of his childhood in Paris, where his father was a teacher. In 1902, he also published his first poem, “Le Chef-d’oeuvre” (“The Masterpiece”) in La Revue jeune. He published under the pen name he would use the rest of his life—Jules Romains—so chosen because it was easy to pronounce, memorable, and expressed his love of Rome.
“There must be no shortage of little-known, finely crafted, funny, thought-provoking plays exploring the fracturing of English society in the early twentieth century, because the Mint Theatre Company keeps coming up with them,”1 wrote the New Yorker of MARY BROOME. Monkhouse’s biting comedy tells the story of a household turned upside down by an upstairs/downstairs liaison between the ne’er do well son and the honest housemaid.
Allan Monkhouse (1858-1936) was a dramatist, novelist, and critic known for his piquant portrayal of middle class life in northern England. He startled audiences with complex characters, who pierced societal niceties as they grappled with the contradictions of a rapidly changing world.
“The Mint Theater Company, one of New York’s most admired Off-Broadway troupes, specializes in neglected plays that have slipped through the cracks. More often than not it comes up with gems, among the most notable of which was Rachel Crothers’s SUSAN AND GOD, first seen in 1937 and revived by the Mint to impressive effect in 2006. Now the company has gone back to the same well with an equally strong staging of another Crothers play, A LITTLE JOURNEY, which hasn’t been performed professionally in New York since it closed on Broadway in 1919—and guess what? It’s just as good.”1
Rachel Crothers (1878-1958) was among America’s most successful and produced playwrights during the first three decades of the twentieth century. Nearly 30 of her plays opened on Broadway between 1906 and 1937. “Although it rare now to find anyone who has heard of her,” wrote the New York Times in 1980, “Miss Crothers at the apex of her career was a symbol of success in the commercial theater.”
“The key character in WHAT THE PUBLIC WANTS is a driven media tycoon who reaches millions via dozens of publications. Through them, he seeks to entertain the many and influence the mighty. Not much has changed since Arnold Bennett wrote this in 1909. Now the play has been rescued from oblivion by the Mint Theater in a compelling, well-acted production. “1
In his lifetime, Arnold Bennett (1867-1931) ranked among the most influential and prolific authors in the world. His work spanned nearly every category: novels, plays, screenplays, short stories, essays, travelogues, war dispatches, reviews, pocket philosophies, and how-to books. His novels were perennial best-sellers; his plays ran for hundreds of performances and his weekly book review was so powerful that it could make or break an author’s reputation.
Not what you're looking for? Try searching again.