Meet Mint Theater Company (Click image below to play video)


Our Mission (Click image below to play video)


MINT THEATER COMPANY finds and produces worthwhile plays from the past that have been lost or forgotten. We create new life for these plays and their authors through research, dramaturgy, production, readings, and a variety of enrichment programs. We extend that life by preserving our work—through publication, our online archives, and with broadcast quality video recordings.

Our History

In the words of New York Times’ critic Ben Brantley, Mint Theater is the “resurrectionist extraordinaire of forgotten plays.” We scour the dramaturgical dustbin for worthwhile plays from the past that have been lost or neglected—and we create new life for them through production, publication, and educational initiatives.


Ben Brantley, The New York Times

We do more than blow the dust off neglected plays; we make vital connections between the past and present. As the Times’ Jason Zinoman wrote in his review of our 2010 production of Jules Romains’ prescient 1923 farce DR. KNOCK, “If there’s anything you learn by going regularly to the Mint, it’s that the world has changed less than you think.”

The Mint was founded in 1992. Jonathan Bank became artistic director in 1995 and began to shape the company’s mission, focusing on lost plays. Our first major success came in 1999 with the American premiere of THE VOYSEY INHERITANCE, written by Harley Granville-Barker in 1905. “A playwright, and a company, couldn’t do much better,” wrote the New York Times.

Since then, we’ve produced close to 50 neglected plays—terrific works by talented playwrights that might otherwise have been lost forever. A.A. Milne was remembered primarily as a children’s author until the Mint presented incandescent productions of MR. PIM PASSES BY in 1997 and again in 2003—in rotating rep with his drama THE TRUTH ABOUT BLADYS. D.H. Lawrence’s plays were unknown in America until the Mint produced acclaimed productions of THE DAUGHTER-IN-LAW in 2003 and THE WIDOWING OF MRS. HOLROYD in 2009. Ernest Hemingway’s only play—the impassioned Spanish Civil War drama THE FIFTH COLUMN—languished on library shelves for seventy years until we presented its American premiere in 2008.

Many of the plays we’ve produced have been by women, from Zona Gale, whose MISS LULU BETT we presented in 1999 to Githa Sowerby, whose RUTHERFORD AND SON we produced in 2001 and 2012. In 2006, we re-introduced New York audiences to Rachel Crothers—once the toast of Broadway—with our highly praised production of SUSAN AND GOD, followed by our equally acclaimed production of Crothers’ A LITTLE JOURNEY in 2011. Teresa Deevy had all but slipped from memory, even in her native Ireland—until the Mint came to her rescue with a four-production, two-publication effort to resurrect her work and reputation, starting with WIFE TO JAMES WHELAN in 2010, continuing with TEMPORAL POWERS in 2011, KATIE ROCHE in 2012 and THE SUITCASE UNDER THE BED in 2018.

Thank heaven for the unwavering commitment of Jonathan Bank, the theatrical archaeologist
whose Mint Theater Company unearths long-forgotten plays and imbues them with new life.

The New York Times, 2018

Our work has been recognized with an Obie Grant (2001), a special Drama Desk Award (2002), and the Theater History Museum’s Theatre Preservation Award (2010) along with a host of Drama Desk and Lucille Lortel Award nominations. In fulfilling our mission, we’ve created some the most compelling theater in New York. As Gwen Orel wrote in the Irish Examiner “We are lucky in New York to have the Mint here. If all they did was find and stage these plays, it would be enough, but what they do is reincarnate them into striking works of art.”

  • Theater Address

    Theatre Row
    410 W 42nd St, New York, NY 10036
    (between 9th and 10th Avenues)

    Telecharge Customer Service

    (212) 239-6210

    Theatre Row Box Office Hours

    Monday – Saturday Noon – 6PM
    Sunday Noon – Curtain

    Seating Chart

  • Directions

    By subway:
    Take the A/C/E to Times Square, 42nd Street. Exit the subway at 42nd Street & 8th Avenue and walk 1 1/2 blocks west to Theatre Row. Note: the 1, 2, 3, 7, 9, N, R, Q, and S stop at 42nd Street and Seventh Avenue, 2 1/2 blocks east of Theatre Row.

    By bus:
    Take the M11 bus to 42nd Street or take the M42 bus to 9th Avenue. Theatre Row is located across the street and one block north of Port Authority Bus Terminal’s 9th Avenue exit.

  • Parking

    Book parking for your performance now at up to 50% off drive-up rates with ParkWhiz!

Access Information:

The Beckett Theatre is located on the lower level on the facility and is accessible by elevator. Row G is fully accessible; all other rows require stairs.


Access Ticket Information:

Performances for People With Hearing Loss:
For information, please call: (212)-912-9770 or click here.Performances for the Partially Sighted and Blind:
For information, please call HAI (Healing Arts Initiative) at (212) 575-7660, Monday -Friday, 9am – 5pm (EST).Access Ticket Information:
To purchase, call at: (212) 239-6222 or outside the NY metro area,: (800) 872-8997; TDD/TTY: (212) 239-2820 or TDD/TTY: (888)889-8587 or To order wheelchair or transfer arm locations select the Find Tickets button and click on the link in the “For special-access seating” section.

Accessibility by Seating Section:

Orchestra Location:
Wheelchair seating is located in the Orchestra only. There is a step between each row beginning with row C.

Assistive Listening System:

Yes, available at the bar on the second floor. A photo ID is required to hold as a deposit.

Pay Phone:

There is no pay phone at the theatre.


Wheelchair accessible. On second floor lounge and on C level – (lower level)

Water Fountain:

Located on all levels (all accessible).